Terry Riley's In C might be considered one of the seminal pieces of minimalism, but at its heart it's an open invitation. The score resides on a single sheet of paper with 53 phrases to be repeated by an indefinite number of musicians.
Imagine a dinner party that never ends. The guests can't leave. That's the premise for Luis Buñuel's classic 1962 surrealist film The Exterminating Angel. It might seem an unlikely subject for an opera, but that's just what London-born composer Thomas Adès has brought to New York's Metropolitan Opera.
Pianist Glenn Gould rocketed to fame in 1955 with his startling and original take on Bach's Goldberg Variations. Gould's fans were treated to a remake of Goldbergs in 1982, when he released a slower-paced rendition just before his untimely death. But it's that first, rapid fire 1955 recording that continues to captivate audiences.
It was 100 years ago this week that Russian violinist Jascha Heifetz made his American debut at New York's Carnegie Hall in 1917. Considered by many to be one of the greatest violinists in history, he was just 16 years old at the time. NPR's Rachel Martin spoke with commentator Miles Hoffman about that appearance and the career that followed.
In the art world, William Eggleston is a revered photographer. In the music world, he's virtually unknown. But now the 78-year-old Memphis native, celebrated for legitimizing color photography in the 1970s, has just released his very first album, simply titled Musik.
The best film scores walk a delicate line: They help propel the story, guide an audience's emotions and are also often a distinct character, with a role and voice as important as any actor's — but they also have to do all that without getting in the way, or drawing too much attention.