Glen Weldon

Glen Weldon is a regular panelist on NPR's Pop Culture Happy Hour podcast. He also reviews books and movies for NPR.org and is a contributor to NPR's pop culture blog Monkey See, where he posts weekly about comics and comics culture.

Over the course of his career, he has spent time as a theater critic, a science writer, an oral historian, a writing teacher, a bookstore clerk, a PR flack, a seriously terrible marine biologist and a slightly better-than-average competitive swimmer.

Weldon is the author of Superman: The Unauthorized Biography, a cultural history of the iconic character. His fiction and criticism have appeared in The New York Times, The Washington Post, The New Republic, The Atlantic, Slate, Story, McSweeney's, The Dallas Morning News, Washington City Paper and many other publications. He is the recipient of an NEA Arts Journalism Fellowship, a Ragdale Writing Fellowship and a PEW Fellowship in the Arts for Fiction.

Let's make this perfectly clear at the outset: I don't work for NPR, and what I'm about to say doesn't represent NPR. I'm but a lowly freelancer they're dumb enough to publish a bunch, and what I say now I say as me, which is to say:

1. An inveterate Superman nerd, and

2. A gay dude.

DC Comics has hired Orson Scott Card to write the first two issues of a new digital-first Superman comic. I won't be reading it.

Glen Weldon is a freelance writer and regular contributor to Monkey See.

Let's make this perfectly clear at the outset: I don't work for NPR, and what I'm about to say doesn't represent NPR. I'm but a lowly freelancer they're dumb enough to publish a bunch, and what I say now I say as me, which is to say:

1. An inveterate Superman nerd, and

2. A gay dude.

DC Comics has hired Orson Scott Card to write the first two issues of a new digital-first Superman comic. I won't be reading it.

In 2012, several high-profile comics creators added landmark works to their already impressive legacies. With Building Stories, Chris Ware offered 14 volumes of comics, each with its own meticulous, anagrammatic take on despair, and stuffed them into a box.

What happens to underground artists after they step, blinking, into the harsh, flat light of the upper world? If they are Robert and Aline Crumb, not a whole hell of a lot — at least, not in their approach to their art. As amply demonstrated in Drawn Together, which collects comics the two cartoonists have created together since the late '70s, their specific subjects may change, but how they go about depicting those subjects — their shared impulse for autobiographical, self-deprecating logorrhea — remains constant.

For the characters of Chris Ware's astonishingly ambitious comics project Building Stories, leading lives of quiet desperation is surprisingly noisy business. Plaintive, regretful and bitterly self-recriminating thoughts play on shuffle-repeat inside their heads, like a mordant Litany for the (I Wish I Were) Dead:

"Lately, I've been thinking a lot about the end of the world."

"At that point I was starting to get acquainted with the unfairness of life and learning it was better not to expect anything rather than set yourself up for disappointment."

Michael Chabon's Telegraph Avenue is an agreeable if ultimately frustrating shaggy-dog tale of a novel that slips its leash and lopes its discursive and distinctly unhurried way through the unkempt backyards of its characters' lives.

In a memorable (and much-parodied) 1983 television ad for a brand of instant, decaffeinated coffee, a gravel-voiced announcer asked: "What kind of people drink Sanka? People like Joe Zebrosky, underwater welder." The ad, one of a series featuring manly men in a variety of high-stakes professions, featured the aforementioned Zebrosky intoning: "Too much caffeine makes me tense. And down here, I can't afford that."

If only Nixon could go to China, only indie-comics master Jaime Hernandez could produce God and Science: Return of the Ti-Girls, the brightest, purest, most quintessentially superheroic superhero yarn in years.

If the teenage girl from Milledgeville, Ga. (known to her classmates as Mary O'Connor) had her druthers, she would have grown up to become a successful cartoonist and painter. It wasn't such a far-fetched idea; after all, the gag cartoons O'Connor contributed to her high school and college publications between 1942 and 1945 — both pen-and-ink drawings and linoleum cuts — won her considerable local and statewide acclaim.

Seventy-three years after he first appeared, Batman is beginning again. That is to say, yet again. Still. Some more.

Back in 1939, readers of the very first Batman adventure in Detective Comics No. 27 weren't privy to his origin. For that, they had to wait six months for Detective No. 33 and the two-page, 12-panel story, "The Legend of the Batman — Who He Is And How He Came To Be!"