Arts

Arts and culture

In case you've been hiding under a rock (or a patch of AstroTurf), there's a little sporting event underway that has much of the world glued to the television. As the 2014 World Cup blasts into its second week, 32 teams (in groups of four, lettered A-H) continue to battle it out in Brazil.

Eliot Fisk looks like the happiest man on the planet. Watch that face as he plays guitar. Between performing music by J.S. Bach and partnering with the world's best flamenco guitarist, Paco Peña, Fisk can barely control his joy. I find his exuberance and their performance undeniably brilliant, inspiring and so completely universal.

About two years ago, playwright David Henry Hwang turned down an offer to write a play about the brief life and suicide of Army Pvt. Danny Chen.

But an opera? He couldn't refuse.

"This is a story with big emotions, big primary colors in a way, and big plot events," says Hwang, who wrote the libretto for An American Soldier, a new hourlong opera commissioned by Washington National Opera.

The concerto. It's a musical recipe more than 400 years old but composers still cook with it. And why shouldn't they? We still seem to crave the sound of a virtuosic soloist playing with (and often against) an orchestra. As in centuries past, virtuosos still inspire, and in many cases commission, composers to write some of their best music, which can push an instrument to its creative limit.

Music by Richard Strauss is heard in symphony halls and opera houses across the world. He needs little help to boost his considerable fame. Yet 150 years after his birth, the German composer remains an enigma to some classical music fans and a polarizing figure for others. A perfect candidate, in other words, for a musical puzzler.

Can you hear the wedding bells? June has arrived. Theories vary on why this is the month for marriage. Old traditions like the timing of the harvest season (and pregnancies) might have had something to do with it, or more modern practicalities such as nicer weather and abundant fresh flowers. And then there's the name of the month itself, thought to be inspired by Juno, the Roman goddess of marriage.

An astonishing conversation has emerged in the weeks since Irish mezzo-soprano Tara Erraught began her run as Octavian at the Glyndebourne Festival in England. Erraught was excoriated by a handful of male London critics for her weight — prompting a widespread backlash on her behalf in the aftermath of those reviews.

Almost any pianist, from a budding beginner to a pro like Simone Dinnerstein, will tell you that one of the basic techniques of keyboard playing is also the toughest to master: making your hands to do separate things simultaneously.

Arvo Pärt is one of the few living composers to find popularity beyond the borders of classical music. R.E.M.'s Michael Stipe and Bjork are big fans.

Though New York City-based Gabriel Kahane wasn't raised there, The Ambassador feels like a musical tour of Los Angeles. The album makes 10 stops in the city where the composer and singer-songwriter was born and only came to appreciate later in life, each with a specific address used as the song title.

Alan Gilbert, music director of the New York Philharmonic, isn't scared of new music — and he doesn't think audiences should be, either.

"Frankly, the reason I do new music is I like a lot of it," Gilbert says.

Arvo Pärt's devout, contemplative, seemingly timeless music speaks to modern listeners as almost no other composer's does. It has the purity and gravity of monastic chant, the clarity of minimalism and a profound spirituality. These qualities have helped it find a broad audience outside the confines of classical music.

Star mezzo-soprano Joyce DiDonato gave the 2014 commencement address at Juilliard Friday — and it's a memorable one, both for her words and by DiDonato's own example as someone whose own career began under low heat.

Outside the concert hall at Occidental College, in Los Angeles' Eagle Rock neighborhood, children are invited to test out the instruments the Santa Cecilia Orchestra will play later. Alexa Media Rodriguez, 8, says she and her family have never before been to an orchestra concert. She heard about the orchestra when some of the musicians visited her school.

"I brought my dad, my stepmom," she says, "my sister, my brother and my sister's cousin ..."

That's the thing about this orchestra, says conductor Sonia Marie De Leon De Vega: The children are bringing the parents.

Mark Stewart On Q2 Music's 'Spaces'

May 27, 2014

In his own words, Mark Stewart makes a living playing a little bit of popular music, quite a bit of semi-popular music and an enormous amount of unpopular music — the last being all the music you probably haven't heard.

Composer and singer-songwriter Gabriel Kahane says that the inspiration for his new album, The Ambassador, is 10 buildings in Los Angeles — appropriate, given what a gifted musical architect he is.

Today at the Cannes Film Festival, attendees marked the 50th anniversary of the spaghetti western at a special screening of A Fistful of Dollars, the Sergio Leone classic that kick-started the genre. Leone's vision of the American West remains singular — and it's impossible to imagine without the iconic music of Ennio Morricone.

Growing up as a violinist, Felix Mendelssohn's Violin Concerto ranked among my top 10 Holy Grail pieces. As I got older, I moved on to his Octet and Piano Trio in D minor, which became two of my favorite chamber works. There's almost nothing comparable to playing Mendelssohn's Octet with seven great string players. It's absolutely thrilling, energetic, virtuosic, youthful, fun and challenging. And to think that Mendelssohn wrote it when he was just 16.

The Bee Gees did it. So do Smokey Robinson, Prince and Justin Vernon of Bon Iver. They all sing in the high register usually associated with female singers.

Long before summer blockbuster films dazzled us with CGI-enhanced superheroes and villains, audiences got their dose of spectacle at the local opera house, where lavishly costumed singers have walked through monumental sets for centuries.

The Stradivarius violin gets its name from master craftsman Antonio Stradivari. When he died in 1737, his secrets died with him: No one has ever been able to duplicate the sound of the violins or violas he made.

His instruments have taken on a mythical quality. Today they fetch millions of dollars at auctions; Sotheby's will soon auction off a viola that it expects to sell for $45 million.

In 1986, four women gathered in a casual setting to sing through a bit of medieval chant. Little did they know they were launching Anonymous 4, an a cappella ensemble that has spanned nearly 30 years, 20 albums, countless concerts and more than a millenium of music.

Today the group announced that the 2015-16 season will be its last together. But this isn't the first time Anonymous 4 has thought about calling it quits. The group bid a similar farewell in 2004.

Conjuring An Opera With Ten Fingers

May 9, 2014

It's always been a treat to sit down with pianist Louis Lortie. In part because of his sound at the piano — the brightness, purity and clarity of his playing. But all the better to have a conversation with him, too. He is a sober, serious thinker, with an incisive point of view on every piece of music he chooses.

It's not easy being a mom, but it's even tougher for mothers in opera. So often they're completely absent while fathers have leading roles in shows like Rigoletto, La traviata, The Flying Dutchman. When depicted at all, operatic moms are usually under supreme stress. They can be murderous, manipulative or simply mad. Only rarely are they the loving moms who brought us into the world. Here your job is to identify the operas and their mothers. Score high and brag to your own sweet (or stressed) mom. Score low and go to your room without supper.

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