Arts

Arts and culture

You know it from the first few notes of Thurl Ravenscroft's barrel-chested performance — singing "You're a Mean One, Mr. Grinch" with the same flair he brought to playing Tony the Tiger in Kellogg's cereal commercials — Dr. Seuss' How the Grinch Stole Christmas is a holiday classic.

The animated film turns 50 this year, airing on NBC about three weeks before its actual birthday. And it is, admittedly, a little weird to call a 26-minute cartoon about a green guy who learns not to steal Christmas presents an enduring masterpiece.

A "conversation" between two major artists — Henri Matisse of France, and Richard Diebenkorn of the U.S. — is taking place on the walls of the Baltimore Museum of Art. The two artists never met, but Matisse influenced Diebenkorn's work, across decades and continents.

Most television shows arrive accompanied by the question, "Is it good?" Revivals of old shows, however, often arrive with the question, "Is it necessary?"

In his defining moments on screen, Toshiro Mifune was glowering and silent, as if careful not to let slip a hint of his next move. To judge by Mifune: The Last Samurai, he was much the same off screen. Of the surviving friends, colleagues, and family members interviewed for this instructive but staid and unsurprising documentary, none has anything startling to reveal.

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Zombies, I'll admit, bore me. Kitsch, dopey, stumping around all smelly, zombies lack the machinations, the stealth, and the whiff of sex that make other creatures of the night — vampires, say — appealing.

They are, however, pure body, and thus an apt choice for a fantasy novel that deals with the corporal realities: periods, sweat, masturbation, the trials of going to the bathroom in the woods, and the way thighs chafe in the heat when their owner hides out from flesh-eating corpses.

As families gather for home-cooked food this Thanksgiving, there's one acclaimed Los Angeles chef who expresses her gratitude for local flavors by getting out in nature.

'Allied' Revives The Old-Fashioned Wartime Thriller

Nov 23, 2016

They don't make 'em like they used to, except when they do.

You would be forgiven for getting so lost in the world of Moana that the story itself becomes merely a distant hum. Disney's newest animated extravaganza takes as its inspiration the crystal blue waves and lush green island mountains of Polynesia, making the landscape into a 3-D storybook. The computer animation, so much crisper and more vibrant than the all-white X-Y planes of Frozen, turns the film into a celebration of (bio)diversity. And not a moment too soon for a world that keeps needing to be reminded that this is all worth taking some effort to save.

For yuletide misanthropes nationwide, Bad Santa has become a kind of alternative holiday tradition, the shot of Wild Turkey spiking the eggnog. What's forgotten is that Terry Zwigoff's delectably nasty 2003 comedy was a hit despite a bitter post-production struggle between Zwigoff and the studio, Miramax, which decided the film needed "heart," did reshoots (some without Zwigoff's participation), and released the film as a parent might release a soiled diaper.

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Whether you're counting votes, counting your blessings or counting olives for your martini, tomorrow is a big day.

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Disney's latest movie, Moana, tells the story of a young girl living on an island in the South Pacific. She's the daughter of the chief, which means she's supposed to lead her people and stay on the island, but she finds herself drawn to the sea. When coconuts start rotting and fish start dying, she sails out to save herself and her people by finding the demigod named Maui.

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Almost a year ago, via a seemingly innocuous tweet, the very funny comedian and very funny actor Kumail Nanjiani and I discovered a shared enthusiasm for, and very deep feelings about, the romantic comedies of the 1990s. At our recent tour stop in Los Angeles at the Regent Theater, Kumail was in our fourth chair, and the topic was ... romantic comedies.

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Salisbury University's Cultural Calendar week of November 28th , 2016

In most ways, Of Fire and Stars treads over very familiar ground. We find ourselves in a fantasy kingdom where magic is feared, and a princess must hide her powers in order to fulfill her destiny as a future king's bride. There are schemes and plots and romantic agonies aplenty, especially when the princess begins to fall in love with the wrong person. All of this would make an enjoyable enough read, but then Audrey Coulthurst elevates the story with a refreshing twist: The princess doesn't fall in love with a stable boy or the captain of the guard.

It's Thanksgiving, which means you'll be seeing Aunt Martha's sweet potato casserole encased in a marshmallow cloud that has drifted too close to the sun. Cousin Joe, who's just here for the game, will bring his famous can-shaped cranberry sauce that looks like it's been attacked by a Slinky. Then your sister will arrive with her sad concoction of green beans drowning in cream-of-mushroom soup, flecked with floating onion strings that have been flung like debris from the Titanic.

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President-elect Trump lets it be known when he'd like something and when he doesn't. And he does not like the way Alec Baldwin plays him on "Saturday Night Live."

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When you're facing a major life change, it helps to talk to someone who's already been through it. All Things Considered is connecting people on either side of a shared experience, and they're letting us eavesdrop on their conversations in our series Been There.

As the child of a black mother and a white father in apartheid-era South Africa, Daily Show host Trevor Noah was the living, breathing evidence that a crime had been committed.

Under apartheid, interracial couples who had engaged in sexual relations could be punished with years-long prison sentences, and biracial children like Noah could be taken away from their parents. As a result, Noah spent much of his early life in hiding.

Michael Chabon turns out more beautiful sentences in a single novel than some writers produce in a lifetime. But he is far more than just an elegant stylist: Chabon is an adventurous writer who wields his gorgeous — and occasionally over-the-top — prose in the service of lively narratives that channel various genres — comics, detective, picaresque, historical — often in combination, as in The Amazing Adventures of Kavalier & Clay and The Yiddish Policeman's Union.

This is the story of a stolen book, a sense of national pride and some creative sleuthing. The book in question is a first edition copy of One Hundred Years of Solitude by Gabriel García Márquez. In 2015, it was stolen from a Bogota, Colombia, book fair. Many cases in that city go unsolved because of a lack of resources, but local law enforcement went all out to solve this crime.

The new TBS show Search Party isn't just an amateur detective story — it's also a millennial comedy.

"The setting is the fast-talking, young world of Brooklyn," co-creator Charles Rogers tells NPR's Audie Cornish. "Dory and her friends all have job titles that aren't exactly real jobs and everyone has a very strong identity."

On April 6, 2015, my mother arrived in my one-bedroom apartment after more than 24 hours of air travel and, after a quick nap, declared it was time for presents.

Out of her suitcase emerged an opaque industrial bag dotted with some austere cyrillics. Out of the bag tumbled a small pile of gruesome-looking metal parts. My trained Russian eye instantly summoned their reconstructed visual: My gift was a hand-crank meat grinder. Two-and-a-half pounds of aluminum, in a suitcase, flown overseas.

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