Arts and culture

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Updated at 11:46 p.m. ET

Guillermo del Toro's The Shape Of Water took home the evening's biggest prize, best picture. The film follows a mute cleaning woman who falls in love with an amphibian creature in a Cold War-era government lab.

The rest of the winners are below, marked in bold.

Best picture

In 2000, the film Crouching Tiger, Hidden Dragon introduced moviegoers worldwide to superhuman martial artists who could deliver a beatdown while balancing on bamboo or gliding across water.

But those kinds of acrobatics were no surprise to Chinese audiences.

Arguably the most successful musical theater composer ever, Andrew Lloyd Webber looks back on his early days in the business in the new memoir, Unmasked.

The opioid epidemic has hit Huntington, W.Va., very hard, with an overdose rate 10 times the national average.

Documentary filmmaker Elaine McMillion Sheldon chose Huntington as the setting for her short doc about America's opioid crisis, Heroin(e). It's now nominated for an Oscar.

You might have heard of "glamping" — luxury or glam camping. Now, there's "champing," or camping inside churches that are no longer used for services. It's one of the newest camping options in England and, last fall, I decided to take my family champing in an 18th century church outside of Oxford.

Our night at St. Katherine's began with a 90-minute drive from our home outside of London to the Coach and Horses Inn, a pub, where we picked up the front-door key from a bartender named Georgia Rose.

It's a match made not in heaven, but the cellar: David Gaffney's tale of lonely Valerie, who preserves the memories of her disappointing exes in a cellar in her mind, would intrigue any illustrator. But it's hard to imagine one better suited to Gaffney's sensibility than fellow Britisher Dan Berry. Their graphic novel The Three Rooms in Valerie's Head is lightly balanced between writer and artist, each the right amount of crazy.

The Pop Culture Happy Hour team has been covering the nine films nominated for best picture since last March, when we talked about Get Out.

Filmmaker Thomas Lennon was not looking for a new film project when he went to dinner at a friend's house; he was just trying to make conversation with a fellow guest who was, in Lennon's words, "an odd duck." However, says Lennon, "I'm a filmmaker, so I ask people questions. What unfolded was this story — and you'd have to be deaf, dumb and blind to not know that there was potential there."