Arts

Arts and culture

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

It's easiest to say what The Awl and The Hairpin were by describing what they weren't.

They weren't places you went for lazy listicles and clickbait quizzes — Which Character From 'The Greatest Showman' Are You?

You didn't go there to get yet another hot take on whatever it was that everyone on social media was buzzing about that day.

They didn't do takes — hot or cold. They weren't reactive.

Author Richard Harris' new novel Munich takes us back to 1938, to the days before World War II. Of course, we say now that it was before the war — but back then, people weren't at all sure another war was coming.

In September of that year, German leader Adolf Hitler demanded parts of neighboring Czechoslovakia. He threatened to invade, but at a meeting in Munich, British Prime Minister Neville Chamberlain negotiated what he famously called "peace for our time."

When The Marvelous Mrs. Maisel won two Golden Globes a few weekends back — one for Best Musical or Comedy TV Series and one for its star, Rachel Brosnahan — it helped transform a word-of-mouth sleeper hit into a something closer to a phenomenon. So it only made sense to discuss the show in depth.

There was a time when saying you lived in Portland, Ore., would get a response like, "That's above California, right?" Now, people not only know where the city is but also inevitably ask, "Is it just like the show?"

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

MARY LOUISE KELLY, HOST:

I spent a few minutes today doing something millions of Americans have done in recent days - trying out the Google Arts and Culture app.

The first half hour of The Final Year is as pointlessly hectic as one of those action movies that's all incidents and no plot. But gradually documentarian Greg Barker's look at Barack Obama's foreign policy team comes into focus, thanks in large part to the counterpoint played by the Trump campaign.

There's something unfair about comparing any policier to Michael Mann's Heat, even if you dissent from the popular — and one hundred percent correct — notion that Heat is the best cops-and-robbers movie ever made. For one thing, Heat is more like a movie-plus-expansion pack, a remake of a film Mann had written and directed for network television some years earlier, upgraded with a lavish budget and an A-list cast.

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