Music lexicographer Theodore Baker, in his biographical dictionary of musicians, labeled J.S. Bach as the "supreme arbiter and lawgiver of music." And while Bach may have blanched had he read such a description, there is absolute power to much of his music.
When Amit Peled was 10, his parents gave him a gift: a cassette of music by cello master Pablo Casals. Peled had no classical background; his parents were not musicians. He says his own budding interest in the cello was a scam, a way of getting close to a girl in his town who happened to play the instrument. And yet, every night, he would fall asleep with the tape playing from a boombox beside his bed. The music made an impression.
Even trailblazing composers like Steve Reich sometimes look to the distant past for inspiration. His 1993 Duet for two violins and strings is music in which minimalism reaches back to its ancient roots. These six minutes of mesmerizing sunshine recall both the rigorous counterpoint of J.S.
While many music series explore the works and dedications of Composers, Kara Dahl Russell used this idea to focus on the lives of the (mostly) women who inspired the dedications and the compositions. The many possible "Immortal Beloved" of Beethoven became part of the mix, and Kara offered her own compelling solution to the mystery based on the comments of the women involved.
Kara Dahl Russell presented a weekday after-the-news-at-noon series on the development of the "portable" piano from virginals and claviers to today's concert grand. The series explored how the development of the instrument itself influenced the music of composers, and how their musical explorations expanded and changed the instrument itself and how it was played.
On June 28, 1969, police raided the Stonewall Inn, a gay bar in New York's Greenwich Village. A riot broke out, sparking successive nights of protest and, many say, the emergence of the modern gay rights movement.
They're celebrating Down Under. Today is Australia Day, a holiday marking the arrival of British ships at Sydney Harbour in 1788. A perfect day then to salute something truly Australian, something that speaks of national pride, austere landscapes and even the darker side of Australian history — the music of Peter Sculthorpe, who died last year at age 85.
The day composer John Luther Adams won the 2014 Pulitzer Prize for his symphonic seascape Become Ocean, I tracked him down in Houghton, Mich., in the northernmost reaches of the Upper Peninsula. Over a crackly phone line, Adams — who turns 62 Friday — said he never thought much about a career with a capital C.
Pill popping, pot smoking, back-stabbing, bed hopping and tantrum throwing — now we're talking classical music! At least that's what the new Amazon series Mozart in the Jungle would have us believe is all in a day's work for orchestra musicians. The 10-part series is based on a tell-all book of the same name published a decade ago by oboist Blair Tindall.
Farewells are never easy, especially when you're saying goodbye to a favorite musician. From conductors and composers to pianists, singers and critics, the classical music world lost many masterful musicians in 2014.
It's another new year and with it comes more resolutions, decisions and responsibilities.
How do you get off to a good start? That's a question many composers ask themselves when writing a piece of music. Some dive right in — BAM! Others ease into a new composition gently. See if you can identify these opening measures of music. Score high and consider yourself good to go for 2015. Score low and think about starting all over again!
Four a cappella voices making divine music: This has been the heart of Anonymous 4's mission for nearly three decades. And as the group bids farewell this season, they're saying goodbye in a poignant way — with the release of an album that couldn't feel more timely. It commemorates the 150th anniversary of the end of the Civil War and the beginning of Reconstruction.
New York is saying goodbye to another historic building. Steinway Hall, the main showroom for Steinway & Sons pianos, will be moving to a new location, leaving its home of almost 90 years on 57th Street near Carnegie Hall. The first floor has been designated a landmark and will be preserved, while the rest of the building will be torn down to build high-rise luxury condominiums.