Jazz Night in America

Saturday at 10PM on WSCL 89.5 FM

Jazz Night in America NPR Music, Member Station WBGO, and Jazz at Lincoln Center unite to create the next generation of jazz programming from public radio. Hosted by multiple Grammy Award-winning musician Christian McBride, Jazz Night in America presents content on multiple platforms and from across the nation to share this uniquely American art form and reinvigorate public media jazz programming for audiences today. This radio program features storytelling with concert performances, connecting jazz enthusiasts and potential new fans with artists and venues -- and each other -- through weekly, one-hour broadcasts and an array of 26 live signature videocasts and on-demand video of jazz events from today's great artists and venues. It brings jazz fans together online via chat rooms during concerts and through social media, encouraging a deeper conversation with musicians, representatives of arts organizations and the major institutions of the jazz world, and arts educators in their community.

Sometimes, musical talent emerges at an astoundingly early age. Jazz is no stranger to teenage phenoms — or even pre-teen wonders — but the improviser faces creative challenges that other performers don't. How can a young student sing the blues if he hardly knows what it means to feel them?

Jazz Night In America explores prodigies through different eras, like pianist Joey Alexander — who was 11 when he performed the music heard in this episode at Jazz at Lincoln Center.

Jimmy Greene Remembers A 'Beautiful Life'

Jun 30, 2015

Unfathomable. Unimaginable. These are among the words used to describe the recent mass shooting in a rural Texas church, which left more than two dozen parishioners dead, eight of them children. For many of us, the inhuman horror of this act literally defies comprehension. The dimensions of the tragedy are all too familiar for Jimmy Greene.

Every spring, a New York City community organization puts on a month's worth of jazz events centered around the neighborhood of Bedford-Stuyvesant, Brooklyn. The Central Brooklyn Jazz Festival turns the spotlight on a historically African-American region, and often some lesser-heard talents. Though Akua Dixon has played in just about every situation open to a cellist, less frequently does she lead a band bearing her own name. Her music often features her compositions and arrangements for a string ensemble, and occasionally adds her own voice to the mix as well.

Joe Temperley: 'No Greater Sound On Earth'

May 22, 2015

Baritone saxophonist and clarinetist Joe Temperley has led an illustrious career spanning several decades, performing in some of the best big bands that ever were. Temperley, now 85, has performed with the orchestras of Humphrey Lyttelton, Woody Herman, Thad Jones & Mel Lewis, Clark Terry, Joe Henderson, and of course, Duke Ellington. For the past 25 years, Temperley has also been the heart and soul of the Jazz at Lincoln Center Orchestra.

A Tribute To Kenny Wheeler

May 19, 2015

The late Kenny Wheeler's stunning compositions and imaginative improvisations on trumpet and flugelhorn left deep impressions on generations of musicians. Two such devotees — trumpeter Ingrid Jensen and saxophonist Steve Treseler — revisited Wheeler's compositions after his death in 2014 at age 84. And in doing so, they realized they wanted to record their arrangements, paying tribute to the man who catalyzed their own careers.

Venezuela's National Jazz Orchestra Returns

Apr 30, 2015

This year Venezuela celebrates the 40th anniversary of its national youth music education program, known as El Sistema. Part of the celebration is to send one of its newest bands, a national jazz ensemble, on its second tour of the U.S. — where jazz was born. In 2007, drummer Andrés Briceño helped to seed Simón Bolívar Big Band Jazz, and has directed its growth beyond the canonical American repertoire to incorporate the work of Venezuelan and other Latin American composers.

In mid-century Philadelphia, dozens of organists reshaped jazz into a popular, swinging, danceable contemporary music. Often in trios with drums and guitar or saxophone, these organ players made church instruments into portable orchestras — a tradition that continues to the present day in Philadelphia.

Among the celebrations of Billie Holiday's centennial birthday anniversary is a new album from Cassandra Wilson. In Coming Forth By Day, one of today's top jazz vocalists salutes one of her idols, drastically rearranging the Holiday songbook.

Jazz Night In America features Cassandra Wilson's blues, country and folk-tinged delivery as she performs her Billie Holiday tribute, and catches up with some key collaborators of both Wilson and Holiday herself.

Anat Cohen's Roots Of Rio

Mar 26, 2015

The genre choro — a word which means "cry" in Portuguese — is often described as "the New Orleans jazz of Brazil." Like its U.S. counterpart, both are Afro-Western hybrids which emerged in the early 20th century; both call for jam sessions showcasing improvisation and virtuosity. Both jazz and choro are also the domains of clarinetist and saxophonist Anat Cohen. Her newest band, the quartet Choro Aventuroso, culminates an affinity and intense study of Brazilian music — one which began as part of an international community of jazz students at Berklee College of Music in Boston.

The SFJAZZ Collective, an all-star octet representing the SFJAZZ institution in San Francisco, has an intriguing approach to repertoire. Each year, each member writes a new piece for the Collective, and also rearranges a composition by a modern jazz master. For the 2014-15 season, that master was tenor saxophone titan Joe Henderson, a longtime San Francisco resident.

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