Tom Huizenga

When John Luther Adams won the Pulitzer Prize for music in 2014 for his undulating orchestral piece Become Ocean, you'd be forgiven for thinking of him as something like the Jacques Cousteau of contemporary classical music.

Although more women have been winning Pulitzer Prizes for music lately, it's still next to impossible to hear works by female composers performed by America's symphony orchestras.

This year's Pulitzer winner, Du Yun, has a lot to say about the situation.

What will Bill Murray do next?

The beloved actor's curiosity seems boundless. It should be no surprise, then, to learn that his new project finds him paired with a classical cellist.

Du Yun, a 39-year-old composer, musician and performance artist, today won the Pulitzer Prize for music for her opera Angel's Bone. The Pulitzer jury describes the piece as a bold work "that integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world." Angel's Bone, which has a libretto by the versatile Royce Vavrek (Missy Mazzoli's Breaking the Waves and David T.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

It's a curious thing how ancient music can sometimes sound so contemporary. Listen to "Morgunstjarna," and it's as if three centuries' worth of music history evaporates. The anonymous song from 17th-century Iceland sports a catchy, bittersweet melody and rhythmic hook that pop outfits like Peter Bjorn and John might be happy to whistle.

The opera firmament was shaken yesterday when a New York Times article, headlined "The Diva Departs: Renée Fleming's Farewell to Opera," landed online.

Pages