Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

The rise of the true-crime documentary — and the true-crime podcast — has made serialized storytelling about historical controversies seem like a trial, like a presentation of evidence leading to the answer to a question. A person is innocent, or a person is guilty. Someone disappeared this way or that way. A person was a persecuted saint or a nefarious monster.

Fear and dread. Fear and dread.

The first question that faced us before we could complete our Summer Movie Preview was a simple one. What is the summer movie season?

The basic rule of Scandal for seven seasons, under its creator, Shonda Rhimes, has been that absolutely anything can happen, but very little of it really matters.

Wyatt Cenac knows his aesthetic, and his aesthetic seems to be "PBS in the 1970s."

The logo of his new HBO series Wyatt Cenac's Problem Areas looks precisely like the public television of a couple decades ago, with its friendly-looking sans serif lowercase letters in earthy colors. The set is the same way, looking much like one that a host might have wandered around to talk about the beginnings of the world or the ways of the penguin.

Many years ago, at a party where I was very drunk, I asked a much-desired woman of my friendly acquaintance what it was like to be pretty.

Our big summer movie preview is coming to you Friday, and while we get that ready to go, we thought we'd revisit a conversation we had a few years ago about something you can't help arguing about: splits.

A confession: I was not a fan of New Girl when it premiered. Fox leaned hard on its description of Zooey Deschanel's character, Jess, as "adorkable," which is too twee even for network promotional materials. She was presented as inept and ill-equipped to function in the adult world without the help of her three male roommates: Nick (Jake Johnson), Schmidt (Max Greenfield) and Winston (Lamorne Morris). The guys were flatly drawn, and the show was too reliant on an underdeveloped take on Jess' appeal.

Comedian Hari Kondabolu made a documentary in 2017 called The Problem With Apu. It's not very long — less than an hour. In it, he interrogates the legacy of Apu, the convenience store owner on The Simpsons voiced by Hank Azaria. Kondabolu talked to other actors and comics who longed for more South Asian representation, only to find that at the time, Apu was just about all there was. And Apu was not only voiced by a white actor, but he was doing what Azaria has acknowledged is a take on Peter Sellers doing an Indian accent in the movie The Party.

The E.M. Forster novel Howards End was successfully adapted in 1992 by Merchant Ivory, and it won Emma Thompson an Oscar. There are people who would argue that it's all the adaptation the book will ever need.

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