Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

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ROBERT SIEGEL, HOST:

Several years ago, Claire van Kampen was composing music for a London theater production. During a break, one of the singers asked her if she knew the story of Farinelli, the famous 18th century opera singer.

"'You'd really like the bit where he goes to Spain and sings to King Phillipe who has this bipolar disorder.' And then I started to think: Now that's an interesting story that I haven't heard about, seen."

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

MICHEL MARTIN, HOST:

When playwright Sarah DeLappe was growing up, she loved war movies. So she decided to write a play that was like a war movie – but about girls soccer.

The Wolves opens at New York's Lincoln Center on Monday. As the lights come up, nine teenage girls are in a circle atop a green expanse of artificial turf, stretching before a match. And they're all talking at once.

When songwriter David Yazbek, whose mother is Jewish and father Lebanese, decided to write a musical that fused his two cultural backgrounds, he knew he didn't want it to be about tribal conflict.

His new Broadway show, The Band's Visit, attempts to do something that seems almost unfashionable: look at two historically antagonistic cultures and tell a story about their commonality.

The Hebrew Psalms have inspired composers for thousands of years.

Now, New York's Lincoln Center is presenting The Psalms Experience, a festival of choral settings of all 150 Psalms by 150 different composers. It includes nine U.S. premieres.

Over the years, many authors have dealt with alcoholism, addiction and recovery — think of plays like Long Day's Journey into Night, or films like Days of Wine and Roses. Now a new play from England joins them: People, Places & Things takes an unsentimental and, at times, harrowing look at addiction and recovery.

Cheryl Strayed — author of the bestselling memoir Wild — was still an unknown writer when she started an anonymous advice column called "Dear Sugar." She remembers reading and writing things "that we don't normally say to people in the public space," she recalls — and those intimate exchanges made her explore her own life more deeply. "I always think of the 'Dear Sugar' column as, like, therapy in the town square."

The New York City Ballet's costume shop is located on the eighth floor of a building in Lincoln Center. There are spectacular views of the Hudson River, but no one's looking out the windows. They're all working with a quiet intensity.

"It's a shop full of 18 people," says Marc Happel, the City Ballet's director of costumes. "Amazing craftspeople, machine operators, hand stitching, we have three drapers. I mean the level of costume-making here is probably the highest you could get."

Many plays have been called "kitchen sink" dramas because of their attempts at realism, but Oh My Sweet Land takes that to the extreme. It uses not just the sink but also the stove, the refrigerator, a chopping board and a very big knife — and it's being performed in kitchens across New York.

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