Eric Deggans

Eric Deggans is NPR's first full-time TV critic.

Deggans came to NPR in 2013 from the Tampa Bay Times, where he served a TV/Media Critic and in other roles for nearly 20 years. A journalist for more than 20 years, he is also the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, a look at how prejudice, racism and sexism fuels some elements of modern media, published in October 2012, by Palgrave Macmillan.

In August 2013, Deggans guest hosted CNN's media analysis show Reliable Sources, joining a select group of journalists and media critics filling in for departed host Howard Kurtz. Earlier in the same month, he was awarded the Florida Press Club's first-ever Diversity award, honoring his coverage of issues involving race and media. He received the Legacy award from the National Association of Black Journalists' A&E Task Force, an honor bestowed to "seasoned A&E journalists who are at the top of their careers." Deggans serves on the board of educators, journalists and media experts who select the George Foster Peabody Awards for excellence in electronic media.

He also has joined a prestigious group of contributors to the first ethics book created in conjunction with the Poynter Institute for Media Studies for journalism's digital age: The New Ethics of Journalism, published in August 2013, by Sage/CQ Press.

Deggans has won reporting and writing awards from the Society for Features Journalism, American Association of Sunday and Feature Editors, the Society of Professional Journalists, the National Association of Black Journalists, The Florida Press Club and the Florida Society of News Editors. In 2010, he made national headlines interviewing former USDA official Shirley Sherrod at the NABJ's summer convention in San Diego, leading a panel discussion that was covered by all the major cable news and network TV morning shows.

Named in 2009, as one of Ebony magazine's "Power 150" – a list of influential black Americans which also included Oprah Winfrey and PBS host Gwen Ifill – Deggans was selected to lecture at Columbia University's prestigious Graduate School of Journalism in 2008 and 2005. He has lectured or taught as an adjunct professor at Loyola University, California State University, Indiana University, University of Tampa, Eckerd College and many other colleges.

His writing has also appeared in the New York Times online, Salon magazine, CNN.com, the Washington Post, Village Voice, VIBE magazine, Chicago Tribune, Detroit Free Press, Chicago Sun-Times, Seattle Times, Emmy magazine, Newsmax magazine, Rolling Stone Online and a host of other newspapers across the country.

From 2004 to 2005, Deggans sat on the then-St. Petersburg Times editorial board and wrote bylined opinion columns. From 1997 to 2004, he worked as TV critic for the Times, crafting reviews, news stories and long-range trend pieces on the state of the media industry both locally and nationally. He originally joined the paper as its pop music critic in November 1995. He has worked at the Asbury Park Press in New Jersey and both the Pittsburgh Post-Gazette and Pittsburgh Press newspapers in Pennsylvania.

Now serving as chair of the Media Monitoring Committee for the National Association of Black Journalists, he has also served on the board of directors for the national Television Critics Association and on the board of the Mid-Florida Society of Professional Journalists.

Additionally, he worked as a professional drummer in the 1980s, touring and performing with Motown recording artists The Voyage Band throughout the Midwest and in Osaka, Japan. He continues to perform with area bands and recording artists as a drummer, bassist and vocalist.

Deggans earned a Bachelor of Arts in political science and journalism from Indiana University.

I'll be honest; at first, I feared the whole series was a bit of a dodge.

Watching the first episode of Shots Fired — Fox's highly anticipated limited series about a federal investigation into a police shooting in a small North Carolina town — one thing became clear rather quickly.

The shooting, which draws two hotshot investigators from the Department of Justice, involves the town's only black police officer, who kills an unarmed, white 19-year-old.

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When a TV show really connects with viewers, it's often a lightning-in-a-bottle experience; a collision of talent, material and public mood that is difficult to define. But that hasn't stopped people from asking Dan Fogelman, the creator of NBC's supersuccessful family drama This Is Us, this question: How did you pull this off?

Fogelman's answer: tone, timing and cast.

When Ryan Murphy explains what he does as a TV showrunner, he admits it can sound kind of lofty. "The greatest thing that you have when you're a showrunner is this opportunity to create worlds," he says, laughing a bit. "And it always sounds so insane when somebody says, 'Well, what do you do?' And you say, 'I create worlds.'"

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The last time I was talking with our TV critic Eric Deggans about late night television and the trouble with satirizing Donald Trump, he said it was a struggle.

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FX's Legion is a superhero TV show that resists admitting it is one.

Which is both the most satisfying and frustrating thing about it.

Here's the setup: David Haller is a well-meaning guy who hears voices in his head. It's driven him to drugs, occasionally criminal behavior and a suicide attempt. (Alert TV fans will recognize the actor playing David as Dan Stevens, who was blue-eyed hunk Matthew Crawley on Downton Abbey).

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The centerpiece of the Black History Month programming on the cable channel BET is a miniseries called "Madiba." "Madiba" is a three-night special on the life of Nelson Mandela. It debuts tonight. NPR TV critic Eric Deggans has this review.

Lee Daniels is known as a fiercely creative producer with a taste for controversy. He regularly tackles gay issues, race and class in the hit TV drama he co-created for Fox, Empire, and his new series for the network, Star.

But when I caught up to him after a press conference and asked how he felt about the election of Donald Trump, Daniels got unexpectedly emotional.

Buzzed-about projects like the musical film La La Land and FX's TV comedy Atlanta won big at Sunday's Golden Globe awards. But the most powerful moment of the night belonged to Meryl Streep, who used her acceptance speech for the honorary Cecil B. deMille Award of the 2017 Golden Globes, to deliver a harsh rebuke of President-elect Donald Trump and to advocate for press freedom.

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Here's the biggest understatement of the year: 2016 was the most disruptive moment the mainstream American news media have faced in a very long time.

That's not because so many media outlets misread the presidential election, although that is part of it. And it's not just because so-called "fake news" has become a genuine issue, prompting Facebook and other social media outlets to address fraudulent items formatted to look like legitimate news reports — a long-needed change.

2016 was a perplexing and wonderful year for those of us who love great television.

Despite what was going on in politics and news, entertainment television surpassed itself this year with the sheer number of new TV shows that were good or better. But, in an odd way, that has become a different problem.

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When new CBS Entertainment President Glenn Geller faced TV critics in August to talk about the network's new fall shows, the first question he got was straight to the point.

"Why is it so difficult to get more inclusion for people of color in the top level of casting at CBS?" asked Maureen Ryan, chief TV critic for the trade magazine Variety. "And what message does it send that the leads of your shows are all heterosexual white men?"

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You know it from the first few notes of Thurl Ravenscroft's barrel-chested performance — singing "You're a Mean One, Mr. Grinch" with the same flair he brought to playing Tony the Tiger in Kellogg's cereal commercials — Dr. Seuss' How the Grinch Stole Christmas is a holiday classic.

The animated film turns 50 this year, airing on NBC about three weeks before its actual birthday. And it is, admittedly, a little weird to call a 26-minute cartoon about a green guy who learns not to steal Christmas presents an enduring masterpiece.

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Here to talk more about the struggle over ratings is NPR TV critic Eric Deggans. Hey there, Eric.

ERIC DEGGANS, BYLINE: Hi.

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(It should almost go without saying; there are going to be some serious spoilers in this piece about Sunday's pivotal, bruising episode of The Walking Dead.)

They finally did it.

I'm not talking about the decision by producers of The Walking Dead to kill two important characters in Sunday's gut-wrenching episode. Fans knew since the cliffhanger ending of season six back in April that super-psycho bad guy Negan was going to beat someone they cared about to death with his barbed wire-covered bat, Lucille.

It's tough to find a more bubbly, positive person than Lacie Pound.

She always has a kind word for the baristas and café workers who serve her morning coffee. She drinks a smoothie offered by a co-worker even when it doesn't taste so good. And she's determined to give an award-winning toast as the maid of honor at her oldest friend's wedding.

Lacie, played by Jurassic World co-star Bryce Dallas Howard, is the central character in "Nosedive" — a new episode in the third season of the British anthology drama, Black Mirror, which debuts on Netflix today.

Issa Rae knows she is committing a revolutionary act by simply creating a TV show centered on an average black woman's life.

And she can't believe it.

"Isn't it sad that it's revolutionary?" says Rae, whose new comedy Insecure, debuts on HBO Sunday night. "It's so basic ... but we don't get to do that. We don't get to just have a show about regular black people being basic."

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