Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Longtime NPR fans may remember another contribution Boilen made to NPR. He composed the original theme music for NPR's Talk of the Nation.

Every Thursday this year we're celebrating All Songs Considered's 15th birthday with personal memories and highlights from the show's decade and a half online and on the air. If you have a story about the show you'd like to share, drop us an email: allsongs@npr.org.

Cate Le Bon wrote some of my favorite words of 2013 on her album Mug Museum. White Fence is the swirly psych-like music of Tim Presley. Cate and Tim are friends — Cate played guitar on a tour with White Fence — and so now there's this: DRINKS.

I've been a fan of Laura Burhenn since we met at NPR's studios with her band Georgie James eight years ago. Her pop wisdom and desire to push her limits have produced some great music, especially the past two Mynabirds records.

When we asked listeners to tell us about a song they turned to this week — one that spoke in some way to weighty events unfolding around the world and how they felt — we weren't sure what we'd get. Would it be mostly songs of solace? Songs of grief, or anger?

Why do we like falsetto so much? Why is melody the single most important part of a song? And why does country music move (or repel) us? These are just a few of the questions that popped up during our All Songs Considered listening party in Boston last week.

For a solid decade, Washington, D.C. was firmly on the map as the punk capital of the nation. During the 1980s, you could see Bad Brains, Minor Threat, Government Issue, Scream, Fugazi and Mission Impossible (featuring a 16-year-old Dave Grohl) in DIY spaces all over town. And what made it vital and game changing was that do-it-yourself ethos: no corporate anything, no major labels, just kids burning with energy, rage and creativity.

On today's All Songs Considered, we're hitting you with several premieres, beginning a heavy cut from My Morning Jacket's latest studio album, The Waterfall. On "Believe (Nobody Knows)," front man Jim James seeks meaning and truth in an uncertain world, while hosts Bob Boilen and Robin Hilton consider a life of possibilities.

Record Store Day is that magical day each spring (this year it's Saturday, April 18) when geeks like us line up outside their favorite music shops to get their hands on a bunch of vinyl exclusives. These are the albums, EPs and singles bands and labels put out just to celebrate the day.

When Bon Iver's Justin Vernon saw Norway's Highasakite perform at the 2012 Oya Festival in Oslo, he fell in love. Soon the two bands were touring together. Now the only band I know that tours with a flugabone has taken one of Vernon's songs and made it even more majestic than the original.

If I had to pick one new band that you should absolutely listen to, it's Algiers, three young men who grew up in Atlanta. Sonically, they make really eerie gospel music that's a rock-inspired amalgamation of all different stuff. In "Black Eunuch," you can hear the sounds of both black and white churches of the South and great guitars. Though they now live in London and New York, their roots are definitely southern based and their lyrics deal with the conservative politics of where they grew up. I've never seen them before and they're completely new to me.

Idaho's Built to Spill were one of the most beloved rock acts of the '90s and now the indie rock pioneers are back with a new rhythm section and the band's first album since 2009. This week on All Songs Considered, we bring you a new track from upcoming album Untethered Moon, which you can hear in its entirety on First Listen.

Every Thursday this year we're celebrating All Songs Considered's 15th birthday with personal memories and highlights from the show's decade and a half online and on the air. If you have a story about the show you'd like to share, drop us an email: allsongs@npr.org.

It may be freezing on the east coast, but on All Songs Considered this week, we've got the hottest tracks to keep you out of the cold.

At the top, North Dakota songwriter Tom Brosseau tells a heartbreaking story about a boy abandoned by his mother. Patrick Watson returns with a vast and beautiful sound that explores the distinction between humanity and technology.

Today we're thrilled to announce that the winner of the Tiny Desk Concert Contest is Fantastic Negrito.

I'll be online at reddit.com/r/music on Wednesday, February 11, 1 to 2 p.m. EST, answering your questions on this post. I'm a little scared because you can actually ask me anything. It will be kind of like a Tiny Desk Concert (intimate, awkward) but I'm sure we'll have fun.

In case you need a little background information about me:

Is there a single song that sounds like romance to you? My mom might pick Sinatra singing "Fly Me To The Moon." For someone growing up in the '50s it might be "I Only Have Eyes For You" sung by The Flamingos.

This week on All Songs Considered, we start the show with new music Bob's been waiting for two years to hear: the great first single from Courtney Barnett's debut full-length album. Don't miss the video for "Pedestrian at Best" off her album Sometimes I Sit and Think, And Sometimes I Just Sit.

I've basically stopped going to concerts. For me, this is kind of like I've stopped eating or sleeping. If you're looking for me these days, you can find me at my computer, watching musicians play their heart out for a chance to perform at NPR's Tiny Desk. After six busy weeks, the Tiny Desk Concert Contest eligibility period is now closed, and we've moved on to the next stage: judging.

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Eliot Fisk looks like the happiest man on the planet. Watch that face as he plays guitar. Between performing music by J.S. Bach and partnering with the world's best flamenco guitarist, Paco Peña, Fisk can barely control his joy. I find his exuberance and their performance undeniably brilliant, inspiring and so completely universal.

Maya Beiser's Twitter handle — @CelloGoddess — says it all. She's a brilliant cellist with a stunning command of her instrument, and she's tightly tied to technology. Beiser takes the sound of her cello and runs it through loop pedals, effects and other electronics to make her instrument shimmer, drone and groove. Then there's her magnificent sense of melody.

How can music be happy and sad at the same time? Listen to Olafur Arnalds and you'll hear it. Depending on your mood, the tone changes, and a song that may have been uplifting one day sounds like an elegy the next. It's spacious, undeniably beautiful work. Much of the music performed in this concert, recorded on April 18 at (Le) Poisson Rouge in New York City, is drawn from the Icelandic musician's recent album For Now I Am Winter.

This just in: Aliens from pretty far away have been listening to music from Earth for the past 35 years. As it turns out, the planet's only redeeming quality is our music. From a legal standpoint this is great news, the biggest copyright violation since forever. That's the first thing you want to know about Rob Reid's smart and wacky novel Year Zero, out this week.